《冰刀》讲述什么样的故事?
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
1、《冰刀》是在哪一年上映的了?
《冰刀》是翁贝托·伦齐于1972年完成拍摄并且面向大众的一部经典恐怖片。这部影片开创了其它当时代恐怖片的先河,《冰刀》上映期间狂揽全国票房,强势霸榜年度前三,创下年度最佳影片播放记录!在当时卡罗尔·贝克,艾伦·斯科特全员演技派,每位演员都贡献出教科书级的精湛表演,卡罗尔·贝克,艾伦·斯科特以完美的演技和好看的形象,奠定在其它影视界的殿堂级地位。卡罗尔·贝克,艾伦·斯科特饰演角色在完播后依然被大众模仿。翁贝托·伦齐之前曾被观众怀疑过演技能力,而《冰刀》却奠定翁贝托·伦齐恐怖片别样风格。《冰刀》国外首映时曾获恐怖片和媒体广泛报道,被认为其优秀程度,是完全能与同时期(指1980年代)好莱坞优秀恐怖片齐名。
2、被称为恐怖片的巅峰之作的《冰刀》,是翁贝托·伦齐最好的作品之一吗?
从翁贝托·伦齐斩获恐怖片最佳导演奖,我就觉得这部《冰刀》是他最好的恐怖片。虽然翁贝托·伦齐后来还拍出来了8分评价恐怖片,但是《冰刀》是他恐怖片的经典作品之一。
3、《冰刀》为什么能成为巅峰之作?
提起其它恐怖片,大众肯定会想到《冰刀》的名字。这部由翁贝托·伦齐导演,卡罗尔·贝克,艾伦·斯科特主演的《冰刀》,它何以能成为一匹异军突起的黑马,在强手如林的竞争中杀出重围,最终谱写这一市场奇迹?我认为,就连翁贝托·伦齐导演和卡罗尔·贝克,艾伦·斯科特,都没想到这部恐怖片会得到这样好的反响。翁贝托·伦齐老师所言,这仿佛是一群失意者的联盟,他们将所有的不甘与热望孤注一掷,共同完成了一次对时代的悲壮注脚。因为在《冰刀》拍摄之前,卡罗尔·贝克,艾伦·斯科特已经有多年无戏可拍,而卡罗尔·贝克,艾伦·斯科特主演的恐怖片,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在恐怖片中投入的激情,是我们无法想象的,其实《冰刀》中的人物心理历程和感人的剧情,何尝不是现实中人们无赖的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力成就了这部经典恐怖片,也成就了他们自己!
4、媒体如何评价《冰刀》?
《冰刀》口碑好同时又深受广大观众喜爱,《冰刀》一经播放立刻引来全网关注,不仅卡罗尔·贝克,艾伦·斯科特演的好看而且该恐怖片故事情节也非常紧凑,可可影视(www.studiopatrice.com)观看起来特别流畅同时还能扣人心弦,即使目前《冰刀》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该恐怖片主演卡罗尔·贝克,艾伦·斯科特,她在该恐怖片中的演技可圈可点,受到卡罗尔·贝克,艾伦·斯科特演的好而且该恐怖片迷的认可。
5、《冰刀》恐怖片的主要内容
《冰刀》是一部恐怖片恐怖片,由导演:翁贝托·伦齐执导,主演:卡罗尔·贝克,艾伦·斯科特,
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
6、《冰刀》是翁贝托·伦齐导演的一部经典的恐怖其它片大全,该剧讲述了:This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also,想看更多的相关影视作品,请收藏我们的网站:www.studiopatrice.com
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.